Dr Huw Marsh, BA (Hull) MA (UEA) PhD (London)Senior Lecturer in Twentieth and Twenty-First Century LiteratureEmail: h.d.j.marsh@qmul.ac.ukTwitter: @huwmarshProfileTeachingResearchPublicationsSupervisionPublic EngagementProfileI was born in London and grew up mainly in Suffolk. I did my undergraduate degree in American Studies and English at the University of Hull and my MA in Studies in Fiction at UEA. After moving back to London I worked as a bookseller before joining Queen Mary as a PhD student, supervised by Dr Mary Condé. My AHRC-funded research focused on the representation of the past in the novels of Beryl Bainbridge, and this work formed the basis of my first book, Beryl Bainbridge (2014). In 2020 my second book, The Comic Turn in Contemporary English Fiction: Who’s Laughing Now?, was published by Bloomsbury. I have been a Lecturer in the Department of English since 2014.Undergraduate TeachingI have taught on: ESH102 Reading, Theory and Interpretation ESH123: Narrative ESH6025: Laughing Matters: Comedy and Contemporary Culture ESH6044: Livelihoods in English Postgraduate TeachingI have taught on: ESH7001: The Production of Texts in Context ESH7010 The State of the Novel ResearchResearch Interests: Post-war and contemporary fiction Comedy, humour and laughter Representations of work The politics of genre, particularly comedy and historical fiction Recent and On-Going Research My research focuses mainly on twentieth-century and contemporary fiction. My PhD thesis was a study of the novels of Beryl Bainbridge and explored her engagement with the past in its many senses. This research formed the basis of my first monograph, Beryl Bainbridge (Liverpool University Press, 2014). As well as my work on Bainbridge I have published articles on topics including the novelists Nicola Barker and Penelope Lively, narrative unreliability in Ian McEwan’s Atonement (2001), and literary and film adaptations of the 1954 Parker-Hulme murder, a case most famously represented in Peter Jackson’s 1994 film Heavenly Creatures. In recent years, my research has focused on comedy and the comic voice in fiction and other media. My second monograph, The Comic Turn in Contemporary English Fiction: Who’s Laughing Now? (Bloomsbury Academic, 2020), identifies a discernible but largely overlooked ‘comic turn’ in contemporary English fiction and develops a series of frameworks for thinking about what comedy is and what it does in political, affective and stylistic terms. My current research continues this focus on comedy and examines comic representations of work in the twenty-first century, asking why the workplace continues to be a site for comedy and how comic texts negotiate the often profoundly un-comic landscape of contemporary labour. I am an elected member of the Executive Committee of the British Association for Contemporary Literary Studies (BACLS).PublicationsBooks: The Comic Turn in Contemporary English Fiction: Who’s Laughing Now? (London: Bloomsbury Academic, 2020) Beryl Bainbridge (Liverpool: Liverpool University Press/Writers and their Work, 2014) Articles and Book Chapters: ‘Coetzee’s Humour’, in The Bloomsbury Handbook to J.M. Coetzee, eds. Lucy Graham and Andrew van der Vlies (London: Bloomsbury Academic, forthcoming) ‘Burley Cross Postbox Theft as Comedy’, in Nicola Barker, ed. Berthold Schoene (Canterbury: Gylphi, 2020), pp. 137-154 ‘Comedy’, in The Routledge Companion to Contemporary Literary Fiction, eds. Robert Eaglestone and Daniel O’Gorman (Abingdon: Routledge, 2019), pp. 67–79 ‘Narrative unreliability and metarepresentation in Ian McEwan’s Atonement; Or, why Robbie might be guilty and why nobody seems to notice’, Textual Practice, 32:8 (2017), 1325-1343 ‘From the “other side”: Mimicry and Feminist Rewriting in the Novels of Beryl Bainbridge’, in Identity and Form in Contemporary Literature, ed. Ana María Sánchez-Arce (New York: Routledge, 2014), pp. 89–105 ‘Unlearning Empire: Penelope Lively’s Moon Tiger’, in End of Empire and the English Novel since 1945, eds. Bill Schwarz and Rachael Gilmour (Manchester: Manchester University Press, 2011), pp. 152–165 ‘Adaptation of a murder/murder as adaptation: The Parker-Hulme case in Angela Carter’s “The Christchurch Murder” and Peter Jackson’s Heavenly Creatures’, Adaptation: The Journal of Literature on Screen Studies, 4:2 (2011), 167–179 ‘Nicola Barker’s Darkmans and the “vengeful tsunami of history”’, Literary London, 7:2 (2009) ‘Life’s nasty habit: time, death and intertextuality in Beryl Bainbridge’s An Awfully Big Adventure’, Critical Engagements, 2:1 (2008), 85–110 See also Huw Marsh's Queen Mary Research Publications profileSupervisionI would welcome enquiries from potential doctoral students interested in any of the areas of my research.Public EngagementBBC Radio 4, Open Book discussion on Beryl Bainbridge, 26 July 2020
